“I’m trying to wrangle everyone into a group costume…but it’s a secret!,” said And The Kids frontwoman Hannah Mohan. Mohan and her bandmates are gearing up for a two-night run at Signal Kitchen Thursday and Friday, excitedly rallying friends and assembling outfits for the weekend’s festivities.
“We love playing in Vermont, there are so many amazing bands playing with us,” Mohan said, “I have all my best friends so it’s really fun.”
The band has been touring with their new album, “Friends Share Lovers,” for the better part of 2016, and are finishing off the year with shows in the U.S., Canada and Europe. They’re coming back home to New England with friends to see and old times to revisit.
Mohan hails from western Massachusetts, where she and the band spent their formative years living in tents, playing residencies and growing together. “When we started the band, we decided ‘ok, no jobs for us, we’re not gonna pay rent,’” Mohan said. “We found this piece of land in Hadley right on the [Connecticut] river and payed this guy 100 bucks a month to live on the property while we were on tour.”
With a makeshift practice space crafted from a Pods container, Mohan and drummer Rebecca Lasaporano roughed it during the band’s inception. Mohan testified to the importance of place in her life ever since, which seeps into her music as well.
“I’m a cancer and our whole thing is we revolve around home,” she said. “I’m also a crab, so my home is on my back. There’s a huge inspiration for me to write about habitat.”
Even on tour, Mohan’s connection to place inspires her. “Out of nowhere, I loved Madison, Wisconsin,” she said, “I got really attached — we bought a tape deck at this vintage store, I just really didn’t want to leave.”
Anchoring to home has been problematic for And The Kids, too, as Canadian synth player Megan Miller’s visa troubles have kept her from touring with the band in the U.S. “We wrote “Friends Share Lovers” before our keyboard player got deported, so there are some songs about her,” Mohan said, “we had to come up with power songs we could play as a two piece.”
Despite Miller’s absence on tour, she is anything but missing from the album. Her synth riffs float through the album’s most atmospheric tracks, like “Creeper” and “Picture” with exquisite and ethereal spookiness.
“Creeper is my favorite because of Megan’s fucking synth part at the end,” Mohan said.
“We went deeper into the ocean of experimenting with sonic shit on this album,” she said, “We recorded it on tape, too, so that’s fucking amazing.”
The album is nebulous and playful, resounding with anxious emotion and confusion, yet remarkable sophistication. “We were trying to have more of a concept linking all the songs on this one,” said Mohan.
Along with strikingly evocative sounds is And The Kids’ glittering and gorgeous album art by Brooklyn, New York artist Chase Carlisle.
“Aesthetics are really difficult because we have different visions, some of us want a more mature look and some want sketchy drawings,” Mohan said. “Now I just want fucking gorgeous stuff that doesn’t take two seconds to make.”
“I’m gonna hang out with a bunch of my friends and go to my old house in Colchester, maybe build a fire,” Mohan said. “We’re trying to make a music video with Joey Pizza Slice too, he makes awesome VHS videos.”
Gone, sadly, is their trademark inflatable deer, Andrea, that Mohan rescued from the woods in Washington, D.C.
“Andrea the deer…she had a really rough tour with Ra Ra Riot and she’s kind of out of commission now,” she said. Regardless, And The Kids has incredible music, lovable antics and a guaranteed sprinkling of glitter to offer when they return to Vermont. Catch the band at 8:30 p.m. Oct. 27 and 28 at Signal Kitchen and in the station at WRUV Friday at noon.